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Rick Simpson's Book For His Help

We’re going to break a bit of precedent here and share a book of an author who is still alive - with a way we can all potentially help them out.

Rick Simpson is best known as a medical marijuana cultivator and activist. Before he became a pioneer in the medical marijuana community, Simpson was an engineer working in Nova Scotia, Canada. It’s here that a work-related injury changed his life forever.

In the late 1990s, Simpson was removing asbestos from a poorly ventilated hospital boiler room when he collapsed from toxic fumes and knocked himself unconscious. Simpson was given immediate medical attention, however, he continued to suffer from dizziness and ringing in his ears (also known as tinnitus) for years following the incident.

Traditional pharmaceuticals and pain prescriptions failed to provide Simpson with the relief he needed. He started to research alternative forms of treatment and soon began growing and using marijuana. Finally, he was able to manage his symptoms, all from a plant in his garden no less.

Some years later, in 2003, Simpson was diagnosed with a form of skin cancer known as basal cell carcinoma. This led him to further explore marijuana as medicine. Simpson read a study from The Journal of the National Cancer Institute in which Tetrahydrocannabinol or THC (the main psychoactive cannabinoid in marijuana) was found to kill cancer cells in mice. Inspired, he extracted oil from his plants and methodically applied it to his skin. As the story goes, the cancerous growths on his arm disappeared in less than a week. From this point on, Simpson was a true believer in the medicinal benefits of marijuana and was determined to share his discovery, or more likely re-discovery, with the world. It would come to be known as RSO or Rick Simpson Oil - a concentrated cannabis oil.

Simpson hasn’t been present in the public arena for the past few years because in May 2018, he suffered a stroke and has since been in the process of recovery. He’s honorably never tried to sell the oil and has instead also advocated for people to make it themselves, so as you can imagine, it hasn’t been a revenue stream for him. He’s also struggled with many other’s using his name to sell versions of the oil which may or may not follow the recipe well.

He says in the announcement video on his official website for his recent life developments that his only revenue stream in recent years has been from the sales of his book(s). Which I recently purchased a copy of to help him out and I share with you now below. If you read it and really dig it, please do consider purchasing and/or sending him a donation.

Official Site: https://phoenixtears.ca/
His Go Fund Me: http://www.gofundme.com/f/support-rick-simpson

Digital copy and audio book version of his book “Nature’s Answer to Cancer:” https://www.mediafire.com/file/81w0andidpmnk1s/RickSimpson-NaturesAnswerToCancer..pdf https://www.mediafire.com/file/5adtzbf62k1anal/AudioBook_RickSimpson-NaturesAnswerToCancer.mp3

Anon Casualties

We’re 50/50 or less on conspiracies and have very much been conscious to not make our work solely about “conspirituality”. While there’s usually more to a story than what’s been put out on the surface and some “conspiracy theories” turn out to be true, a larger percentage are a distraction at best or a mental health damager at worst.

We also try to only speak on politics in terms of striving for equilibrium, but there is so much political tumult in the world and the United States specifically due to 40+ years of reverse Robin Hood redistribution of wealth (socialism for the rich, and cut throat capitalism for the poor) which has resulted in wealth inequality moving back toward the economic ratios of medieval feudalism.

When times are extra tough, a country’s populous is forced into looking deeper at structural problems with society. Some do this in rational ways looking at what could expand liberty and freedom for all while others look to cult leaders to preserve their FreeDUMB.

This sub-Reddit is a support group for people who have a family member or entire family which have been torn apart by the dark black hole that is QAnon. A theory which claims that a mentally ill grifting criminal conman from “reality” television is the sole savior of the American republic: https://www.reddit.com/r/QAnonCasualties/

It highlights the real world pain and hardship caused by family members falling down such negative spirals. Which might identify an accurate problem or two, (or mirror those accurate problems back to front) but then go into clown world with their proposed solutions.

‘Q: Into The Storm’ is an investigative documentary series on HBO which is also worth your time: https://www.hbo.com/q-into-the-storm

Essay: Karma Café

A definition of Karma is a force created by a person's past actions that is felt to determine future outcomes - action and reaction. In fake spirituality, it can certainly be used as an easy excuse for claiming unprovable things. With statements like “that happened because for sure they had done this in another life” or “let them be poor because they were rich in the previous life” and similar others - proof of which is conveniently impossible to concretize. Not to mention being an easy to claim cop out excuse to not have to work to improve some obvious problem at either a personal or societal level. How convenient. However, regardless of one’s thoughts on reincarnation, we have come through our personal development to feel there is a validity to karma and it’s correspondence to cycles of life. Especially when looking at it from the standpoint of devolution and evolution.

A viewing of an “Instant Karma” video on the internet where some dude with a tiny rotten brain is driving like a maniac and then, as a direct result, proceeds to flip off the road and crash their vehicle seems proof of single life karmic consequence. Yet, it does also seem like certain people who engage in unhonorable or downright deplorable behavior get away with it for extended periods of time if not their entire lives doesn't it? This is where things get a bit murky, difficult to lay down the rules if you will.

Acting as though character traits one expresses in this life are the result of our accumulated past lifetimes of various experiences does help structure life and support a mindset that we could be in corporeal form on Earth with unfinished tasks and that those unfinished things are part of our karma. For perhaps our souls have incarnated in the physical to learn lessons that are still part of our evolutionary framework which we have yet to have learned up to that point. So challenges are presented to us which, prior to that point, we have yet to overcome. Rinse and repeat.

Hard to say for sure, but if we think of the whole of material creation to be likened to a rehabilitation center meant for helping a soul to rediscover its nature of divinity and one of the mechanisms of creation is to help facilitate a soul’s development being karmic, then through it, selfless actions uplift a soul, while selfish actions degrade it. The results of both selfless and selfish actions are experienced over a series of life cycles, as a soul comes to understand how its actions affect those and the world around it. Karma can be said to be the ultimate educator. Theoretically speaking, if one takes their karmic lessons seriously, and strives to act selflessly, perhaps one can continuously progress their status of existence and gain more soul maturity.

We may also think of our experiences in life as just but one chapter in a much larger book. A text which we can’t read entirely through only one life, for a single life may be only a chapter or only a single page, and multiple lives comprise the whole pros making up a long-form book of life. What part of the maps we've already explored and what pages of the tome we've already read.

Through the full evolution of our life, all of our lives, the whole book if you will, it would make sense that the story must involve doing it all. Having all experiences, being all things, mapping all polarity. For through many cycles, be that it hundreds or thousands, we may have initially started out being very immature and having leaned toward doing a majority of bad things and as we have evolved, that gradually entails later doing a majority of very good things. With the horrible slowly transitioning to the noble. All part of the process of progression. With a karmic tapestry being woven to be a map of which we have explored every inch.

If, however, a person chooses to commit one selfish act after another, progress is not made and in extreme cases what forward motion has already been made can be squandered. Especially in regards to what that personal mental structure has neglected to learn from in past lifetimes. For it has also been said that there will be bag karma, baggage if you will, worth redeeming, and good karma, also having value for being worth acknowledging. Neither of which can be fully run away from. We see this in figureheads that seem so deplorable you can't fathom why they even have any platform, let alone thousands if not millions of folks who support them. It’s because those who are soul young attract others who are soul young. Hence they are mentally babies or toddlers in grown adult bodies. Projecting blame on everyone but themselves. As there is a common immature inclination to avoid anything that causes unpleasantness for the individual.

Yet, cause and effect (a Hermetic principle) pushes back on this. For we can think of it and karma as a balancer or harmonizer. Being generated by deeds, conduct, actions, and if could even be said, thoughts. All of which make up a soup which can have a great deal of influence in regards to family, health, resources, and all relationships - personal and professional. With even various flavors to this seven layered fractal cake being something like soul, national, racial, world, etc…

Whatever the slate, facing and resolving karmic consequences is forward progress and is inevitable. Delaying or outright avoiding the learning from these lesions is only going to slow the gears of evolution down, but can never and will never fully stop them. Acknowledging karma and taking responsibility for it is a huge step into maturity. For it takes courage and sophistication to look at our faults and face them. Because karma is habit forming, creating patterns in mental behavior, it can be very difficult to make and follow through with better choices, even if one is conscious of wanting to do so. But we must push through. And one's willingness to work at doing so is a sign of soul maturity.

An individual's acceptance and acknowledgment of forward karma over multiple lives is said to produce positive thinking and actions and without karma existing, we could not grow to be the most masterful version of ourselves. To progress, not regress. To expand, not contract. All designed to not tear us down but instead to build us up. To make us greater. Even if everything stated here is all bollocks, acting like it is the case only improves one's behavioral pattern in the long run. Actions such as making conscious choices, forgiveness, acceptance, gratitude, humility, and the general golden rule are all aspects of karmic software which may help run our living operating systems. Highlighting that we have created and continue to create our lives. Nothing happens to us, it happens for us. Welcome to karma cafe. Where there is no menu and you will be served what you are due.

———

An Infinite Path podcast official URL http://www.aninfinitepath.com

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Article Paywall Access

If you fancy what a venture with paywalls is doing it’s certainly nice to support that venture through membership. Of course you are doing that with our work here so we debated sharing this one due to that irony.

However, if you’re at a site with an article you’re dying to read and aren’t willing to go the distance with full membership, this website is a bypass for that: https://12ft.io/

We agree Google Adwords incentivizes sites to peddle SEO garbage optimize for email capture so they can market directly to you. As a result, many internet searches, at least through Google, result in click bait with ads instead of surfacing actual content information. So if you want to get to written goods behind paywall quick, regardless of how you found them, this is a tool for that.

Documentary Recommendation: The First Wave

Hope everyone is having a good winter solstice which the empire degraded into something having to do with a man on a cross which Coca-Cola and other corporations further degraded into something having to do with consumerism.

The First Wave is a documentary which highlights four months in early 2020 when the initial Covid-19 wave was first hitting New York City. NYC is such a fun town. I don’t even like to go out but on the times I’ve been to New York I have such a great time there. The food is so good and even though the  weather sucks, there’s a great deal to like about the big apple. 

One thing about New York City is not only is it a melting pot for practically all different races and cultures but it’s also a macrocosm for the United States as a whole. Being such an ethnically diverse place, travel in and out of New York is a main vein of entry to the United States. So it obviously was going to be ground zero as an initial entry point of Covid when it was first entering the country. Showing many signs and patterns which would later ripple through other parts of the nation and other cities throughout the world.

This feature doc got access inside one of New York’s hardest hit hospital systems during the first four months of the wave, and much of what they shot is not for the faint of heart - my type of content. For anyone who thinks covid is a walk in the park the raw footage in this of what it’s like to suffer through extreme symptoms shows it’s no joke. Any disease in your system which can lower your blood oxygen level to the point where you loose circulation to your fingers and then need to have them amputated should speak volumes. It also does a great job of documenting and dramatizing the extreme stress which medical professionals are under.

It’s primarily available on Hulu and other naughty streaming sites like “fmovies.to” if you want to go the watch for free route. More details at the official site:

http://films.nationalgeographic.com/the-first-wave

Talking Depictions of Shamanism With Gordon White

Gordon White downloaded Shamans of the Global Village. We thanked him for doing so and he invited us on his podcast. His website Rune Soup, is a predominate hub for things related to magic and the paranormal.

We’ve always rather liked Gordon and his many outputs. Having been a guest on many podcasts, he’s extremely knowledgeable and very well spoken. We chat this round regarding creativity, media making, the power of both the documentary and essay formats, as well as participating in cross-cultural learning in ideally, non-extractive ways.

Audio - https://runesoup.libsyn.com/talking-depictions-of-shamanism-niles-heckman
YouTube - https://www.youtube.com/watch?v=19KFEFCBmCE&t=613s
Odysee - https://odysee.com/@runesoup:5/depicting-shamanism-with-niles-heckman:6
Rumble - https://rumble.com/vqgkqf-depicting-shamanism-with-niles-heckman.html

To further support Gordon’s works, snag his books or subscribe to his outputs. You know the deal.

Essay: Dual Dishonoroable's

Most people are good. Yet also dysfunctional.

Sometimes there are bad dysfunctional folks too. But that's a minority.

Primarily because of money, and the need to acquire it, usually through honorable means, like professional and or responsible employment, there are also many ways of acquiring money through dishonorable means. The current human operating system is not all sunshine and rainbows but instead corruption on a grand scale, because we have systems in place that can work very well for un-honorable operators, while those who do the right thing may not always come out on top.

We recently had an interaction with two entities, one being an individual, a little head and the other a large company, a big head, both of which, because of the same catalyst, showed us two degrees of somewhat dishonorable behavior. Which we were able to circumvent without being dishonorable ourselves.

As both a documentary photographer and filmmaker, we are no stranger to the tool that is a camera. And have had many dozens of both still image catered and video catered camera gear over the years. While a tool is just a tool a camera is ultimately just a tool for creating art, it's essentially a much more technologically advanced form of the paint brush which Claude Monet used to paint hundreds of water lily paintings around the marsh at his home in Giverny, Northern France. Much like acquiring quality paint pigments of the past, which the artist oftentimes, usually had to make themselves by hand, we have learned to acquire quality hardware for our film and photo outputs. And camera gear is no exception.

One huge benefit of good gear is that you can often resell it, used, for a decent amount toward what you usually paid for it. Sometimes even nearly equally as much. While other gear does greatly lose value. Or else, if you are savvy about buying used gear, you can get some great deals to save money. We’ve gotten quite good at buying the majority of our gear used, and then reselling it down the line as we adjust our workflow and pipeline, always adjusting and streamlining. Some gear is like an automobile, where the moment you drive it off the lot it does lose value, so you’d be a fool to buy new stuff exclusively all the time.

There is a photography term called G.A.S., which means “gear acquisition syndrome”. As it’s commonplace for less creative folks, especially technology obsessed males, to constantly overbalance time just studying and acquiring gear and not using it well. But we look at this behavior with the dynamic of Michalagelo only creating the Sistine Chapel by painting it, not spending all his time studying the brushes he was going to use to paint it.

So as we eb and flow with our tools, sometimes adjusting them but oftentimes knowing something numerous years old, is perfectly fine thank you, we have inherited a general rule to intentionally always be minimum, a year or two behind in terms of acquiring any sort of camera technology. So that means we’d never buy a new camera right as its first released but instead wait to pick one up new after its about a year old. This works for us because there is an inherent tendency in male technology enthusiasts, inside the planned obsolesced mindset, to always want to acquire hot new things - which fuls consumerism.

We’ll never forget the day when we were working a freelance job in Los Angeles at a company which shall remain nameless because it had both some really excellent people and some dishonorable people, when a young lad, who we had never formally met, came into a room in which we were working at, and proceeded to pull out his smartphone and cold announce to someone else in the room, and ourselves, that he had acquired the latest smartphone the evening prior, and was walking around the company showing it off. For which we could almost care less. For we knew he would never be a Michelangelo or Monet but instead a dude who was the type of blob who would stand in a line outside a store waiting for the latest release of some product which had minor difference from the previous version from a couple years prior which he already owned and had minimal differences from. Thus only shallowly being a paint brush show offers and not in any way an artist, creative, or even genius with a lasting positive effect on others, society, or culture.

This adolescent immature attitude is common for tech enthusiasts. And that is why we use it to our advantage when buying used gear. As we know we might get something that’s a year or two old for ⅔ the price because there is an ocean of these types out there, who acquire the gear, don’t really use it for anything truly artistic or timeless, and then want to move onto the next gear in just a season or two. They’ll also collect secondary aspects of the gear which they'll likely also be selling along with the listing at reduced price, which also works to our advantage.

Our main marketplaces for doing this buying and selling have been two websites. One more local and the other more country wide, and sometimes even international. The first is called Craigslist, an American classified advertisements website with sections devoted to jobs, housing, for sale, items wanted, services, and community service, etc… Founded by yes, a dude named Craig, who began the service in 1995 and to this day it’s remained a very basic, simple text based website for individuals to exchange or buy items through. A comedian of which once joked about that it’s the perfect place to list that you give me a handjob, I give you my coffee table. Being a very small company, which has provided a marketplace for honor based systems of small individual to individual or individual to small business commerce. We have both bought and sold on there, doing many cold non sexual meet ups with people in parking lots for quick exchanges, almost all of which are cool, to swap goods with cash with great success. For as we mature we have also adopted more and more a general rule to stay lean and light with our tool collection, only needing the bare minimum of which to be a creator. Which oftentimes over the years requires quite a bit of purchase trial and error yet to some buying and selling shuffling is inevitable.

The other website which we have long used, the more countrywide and international one is eBay. Another American e-commerce corporation, also just like Craigslist, originally based in the Bay Area of California, also coincidently founded in 1995, that facilitates consumer-to-consumer and business-to-consumer sales through its website. There have been numerous tech companies from the 1990’s early dawn of the Tim Berners Lee world wide web which grew into major tech giants. Many of which continued to adapt and change, some of which imp[roving but others degrading in the process by becoming more monevolent, but eBay had stayed very consistent in its original simple business model. Which was creating a marketplace for individuals to buy from one another, or an individual to buy from a small business.

We had long used eBay with no kinks or issues. Having for a long time had an account on there with a very high rating, for we have always remained, you guessed it, honorable in our both buying and selling on that platform. And our profile rating has reflected that. Same with the profile ratings of other sellers we have dealt with on the platform when we are the buyer. Yet something happened there which changed this high rating to high rating relationship. EBay primarily works as an honor system, and in the past had been the mediator between two buyers if there was a dispute. But recently, since the time of this writing, we purchased a piece of camera gear from a seller on the platform and having an issue we have now found that eBay’s method of operating in this regard has changed.

Basically, before purchasing from a vendor, it’s important to know at least a tiny bit about them and their past track record. Just like in the old bazaars of the Middle East which day back through the sands of time, an individual might go to their favorite stand owner recurrently because their had a previous purchasing relationship with them and knew their vegetables, buts, meats they had sold in the past had a certain quality to them. And any time a new stand opens in the market, one is always taking a small risk by purchasing from this particular seller for the first time, not being sure what they are going to get.

Our failure this time around was to purchase a piece of used camera gear from a seller who had not been on the website very long. Only for a week or two in fact and they have thus not had any previous ratings. So I purchased an item, which was a bit over $600 US dollars mind you, not exactly cheap, and then after the money went through, it’s up to the seller to honor their listing and ship the item to you. In this case numerous days when by, with numerous inquiry messages sent, with zero feedback or response. Looking at the seller's account, we could see some other items listed. Knowing it was a female seller because one of the other items was a purse and in the photographs they had taken holding up the team to camera there were both very female nails present as well a a reflection of a very curvy feminine phasic in the reflection of the item I had purchased which had a black screen that was reflecting part of their torso. I could also tell it was a woman of Latin American descent. A detail which has future importance for the story.

So about a week or two went by, nothing had been shipped and we started to get a bit concerned - for early warning signs tend to only amplify. Which were concretized when by the end of week two, upon logging back into the website and looking at their account, we saw that they had exit scammed the website. Meaning zeroing out and deleting all the content from their account, leaving either no trace or just leaving an empty but not deleted account. A dynamic which is common in the crypto currency space. Never put any money into any venture in which the owners or runners of that venture are anonymous, because then a launch pad is paid down which is prime time to exit scam.

So when trying to deal with this dishonorable individual, who took our payment and never shipped out the item goddammit, one then looks to the marketplace who’s domain they are in for assistance - in this case, eBay. And as once I was blind, now I can see. Thinking eBay was a giant tech company that still remained mostly transparent, truthful and true to their roots, but instead they have adjusted to be very opaque.

We had once read, and always remembered that the number one thing that keeps a small business afloat in the long term is… drumroll.. Customer service. Meaning how you treat your customers after they have purchased from you. As the spiritually degraded commercial marketplace is really there for the acquisition of capital, customer service is a direct barometer of how much a seller actually cares about their buyers and any future relationship they may have with them. We, for example, who sell various documentary and audio products, know that if any individual who purchases from us, has a question, one aspect of what we must do, to stay honorable, is do our best to make sure they are happy with the purchase should they have a question or need technical support. Aiming to always be helpful. This is something that any long lasting honorable company that has been around for many decades, with a good reputation, will be very knowledgeable and hard working regarding. To make sure that they have long served pre-existing customers and not just blowing them off or dumping them after you have made initial money off their, but instead establishing a relationship of care. Which from a honourable business standpoint means one will continue to purchase from you in the future if not send more business your way through referrals and recommendations.

Companies that treat their customers like they are expendable ultimately will crash and burn. It may take a long time, but the chickens will come home to roost. There was once an electronics store chain in the United States which reigned through the 80’s, 90’s and early 200’s called Circuit City - an American consumer electronics retail company known for having very good customer service via non annoying and overy helpful but still very helpful and knowledgeable sales people on their store floors. Their main forte through the years had been home entertainment center and car stereo electronics and in those early days of the web most people weren't able to research electronics online. And home theatre electronics were more complicated back then. With an amp, receiver, or home theatre stereo oftentimes looking like some sort of Russian synthesizer with tons of nobs, dials, and gauges, and remote controls with buttons equivalent to that of a control panel on the Challenger space shuttle. So when a customer came into their store to purchase higher end audio video hardware, it was important to have helpful and even more importantly knowledgeable salespeople. Who they paid quite decently. The beginning of their end was when their CEO and executive board decided it was wise to lay off the vast majority of their well paid and knowledgeable sales staff across all their locations and replace them with inexperienced, unknowlege, new employees which they could pay minimum wage. Or otherwise known as, the lowest amount legally possible. Then from that moment on there, sales started to plummet and along with refusing to open an online presence for sales on this new thing called the internet, the chain eventually went out of business. Ha ha!

So eBay used to be known for very good customer service, having an on demand, easily reachable, actually human service department to help you should you have a dispute with an exchange like we have with this dishonorable female exit scamming us. But over the years they have made themselves very difficult to contact directly. A sly and somewhat slimy technique that far too many corrupt sales websites engage in. Where they work great if all is smooth, but when a challenger is faced, within their framework mind you, they are not there to be there to help you. So they are also sinking down into dishonorable.

Trying to find any reminiscence of aid through the bones of what used to be their customer service or dispute center sends one on a loop of them telling you to contact the seller, putting the majority of the dispute resolution back on the relationship between buyer and seller, which only really works if both pirates are honorable. So if either buyer or seller is exposed as being anything less, it also exposes the larger system they are inside as also exhibiting somewhat less than behavior.

So the way we personally fixed this problem is we found a way to do it without sinking down to either the dishonorable level of the little head or the big head. Like many companies today, you can’t get real interaction with a human being, or if you do it in a third world country. So in our navigating the endless loops of their subsurface spider webs which are intentionally difficult, many companies use that technique, especially with long wait times of phone support hoping you will just give up, we dealt with the automated process the way it asked to be dealt with.

Luckily, the honorable woman who scammed us had not set the item to be non-returnable, so down in the loop de loop we submitted a resolve ticket and got a refund via returning the item. So after accessing the automated, non-human- helped page to get a refund we filed for the return and accessed a page to print a return shipping label. And the genius woman left her name and address in her account information which is usually unavailable to be seen but can be accessed but now that a return was issued was then available. It was Claudia Camberos, with an address in San Diego. That name obviously being that of a woman of latin american descent, so having seen glimpses of her physicality, we thought it might actually be her real name, not a made up one.

So the only real issue now was she had never actually sent me the item. And eBay’s non-existent dispute resolution assumed she had actually sent us the package in the mail. So, without breaking any laws or sinking down into assholess ourselves, we didn't want to send her anything threatening - a message of meanness or hate, or hardful - anthrax in the mail, or discussing - a turd log, or engage in any kind of mail fraud, but instead kept it straight by putting a dirty rock in a box and mailed it back to her address with tracking details. Which eBay said they would refund once they confirmed the item, when it was never really sent to us in the first place mind you, had arrived back at her address and would reimburse then us for it. So through this automated way, we sent that dirt covered rock off in the mail and by golly it worked. We got our money refunded. Not by her but surely by eBay themselves.

So multiple lessons were learned on this one. Firstly, to not engage with anyone who doesnt have some kind of previous track record, even if that’s just a brief history of operating and part customer reviews. Secondly, that even one large tech company we thought was halfway decent is just as soulless as the rest of them.

Honorable is a great word. It makes one have to stand on their own merits. And almost shows that if someone is not honorable there are going to be many other negative aspects to their personality as well. A main one of which is certainly that of being an asshole. But if one does stand in honor and aim to engage in honorable behavior in the little things in life, that speaks volumes about how they will operate in terms of the larger things in life.

———

An Infinite Path podcast official URL http://www.aninfinitepath.com

Spotify | iTunes | Overcast FM | Stitcher | Player FM
Elevate yourself with a membership to nilesheckman.com, purchasing our current extended episode archive or essay volumes, or sharing a proactive review on iTunes.

Niles’ work can be found elsewhere on YouTube and Vimeo.

Here’s our affiliate link for Jambo Superfoods as well.

Essay: No Set Schedule (Exclusive for Patrons)

In the trifecta of good, fast, and cheap, you can only have two. If there is a ton of money being spent, you can have it good and fast because numerous folks who are very good at what they do are being well compensated for their work and things are thus expensive. If there is no money, you can have it good and cheap, but it will take a long time. That’s how our personal work, our best work, has been made.

Yet, If a client is well compensating and thus expecting quick progress, then one aspect of the trifecta is fast. So in that regard, we innerstand. Sticking to strict schedules and rigid deadlines has its place. For he who has the gold makes the rules. This applies in the machine levers of commerce. Containing assembly lines of collective worker bots. With gears grinding one down in the levers of drudgery and often, but not always, blandness. Carpal tunnel generating repetition which would actually probably be good to have robots take over doing. It’s the modern war trenches of the professional working world. All under the clock. Where the majority of the money flows.

We once had someone predominantly featured in one of our documentaries, along with another fellow filmmaker they were collaborating with on a later project, ask us for some of our footage to share for that project, and we certainly agreed to be helpful. Yet, since there was no money involved and they were asking for something, for free, which had taken us some difficulties and a long time to acquire, we said we would be able to do it, yet it wouldn’t be for a couple months. This was intentional for this reason. To make them wait for it.

In terms of real creative outputs, ones which are done for the joy of the process and personal accomplishment, through self-expression, the most non-negotiable element of these three - good/fast/cheap is the good. For whatever you do, in order to be a positive force in the world, it must be excellent in quality. So when little to no money is involved, and you are aiming for quality, that means being fast or quick must inevitably drop off in terms of priority.

There is a great deal to be had for setting goals and accomplishing them. Or honoring a schedule, not letting things slide, and getting things done efficiently. But those are the gears of productivity, not creativity. This is why the creative side starts things and a less creative side helps with the work to finish them. Both are needed. So, sometimes it's time to crank while other times are for deeper contemplation and inspiration.

We have found that anytime we set a rigid schedule for things, on a recurring pattern, the daily jive may be okay, or even daily “pretty good”. For one is lucky if they moderately like what they do for their profession, let alone really enjoy almost all aspects of it. But those times do not produce anything amazing and by no means anything genius. Genius comes with long development times, years or decades, and flashes of insight. For creative gnosis arrives in unusual ways at odd times. In the morning when you are in that twilight state of still seemingly still asleep or maybe a tiny bit awake. When the veil of the unconscious is still flowing through. Before it starts to just spill a bit as you are first waking. And then through a busy day of life’s chores or responsibilities it may only be a tiny drip drip drip. So it’s important to be there to capture it.

Grabbing that requires personal time with a healthy work life balance. Franz Kafka was a Bohemian novelist and short-story writer, widely regarded as a major contributor of 20th-century literature. Yet, his primary profession was that of a lawyer working for an insurance company. And he created the vast majority of his writings while still working his day job. For him, he found a way to set a personal schedule with the time allotted. For schedules, and planning from others for the dollar may pressure or strangle creativity, but those same things can help it when set up for oneself. So personal time, to oneself, or in close collaboration, should be given plenty of oxygen. For creativity is not a talent, for anyone is capable of it. Instead it is more a way of operating.

When operating for a longer form project, we may be a bit off the radar for numerous years, but with short form outputs those can be seen on a monthly basis. At the time of this penning, we finished our first feature film a few years back and since then, have spent the last couple years working on more short form projects. With fairly regular consistency. Yet as this is being finalized, we’ve gone through a quite larger gap than usual releasing some of our outputs. Mainly because we’ve gotten certain signs to do so. With some things wintering while other things are summering.

We are so incredibly grateful to those listening who are supporters of our work. To access this you have had to pay a little something. Yet, to date, monthly contributions from our patrons compensate us to the tune of less than half of a day of work in what is our various professional freelance capacities. So we still very much do freelance to make a living. Ideally, like any artist, we would love to just have our creative outputs support us exclusively, but that time has not yet come. And longer gaps of output are the inevitable result.

When something is not done primarily for financial reasons, it’s most mentally and physically healthy to not be on strict, iron schedules of output, so we’ve learned to very much inform folks who support our work, which may involve a set amount per month, that there is still no regimented rigid timetable in which we output content. And always encourage others to adopt a similar mindset. Which regarding an exchange of funds, does mean that some months or years will have less output than others. There is a factor of those who put in some resources just to help support a creator, but a larger percentage do it to support a creator while also getting some sort of return on their investment. And we are conscious of that and aim to find somewhat of a middle ground regarding.

It’s important, outside of a profession, to not put oneself in a position where they have to output something by some date because it’s expected, required, or worst of all, contracted. Folks who are trying to make a living by uploading video content to a channel on a certain primary video website on the internet which, outside of steamy porn of course, is responsible for like ⅕ of all internet traffic, know that various algorithms expect you to upload a new video on a weekly schedule. Or else they assume your work is dropping off and your outputs on their platform are your past and not part of your future. Which is short term doable, but to be honest, in the long run only encourages plateaus and burn out.

We have personally known a few podcasters who are so stringent about outputting something by such a date. One podcaster who was so methodical about getting a show out in their usual weekly slot they released a fill in episode at that time just to tell the audience they had no podcast that week. Also podcasters who feel their need to apologize to their audience because they haven't output something by such time. Also podcasters who suffered from establishing a strict schedule of something that did not provide full time employment, and then we’re not able to maintain it, innerstandably, and then, rather than announcing they would go to a much more manageable schedule for the resources, instead decided to completely end it.

We do none of these things and we never plan on doing so. Going so far as to remove rough estimates on our website as to how often we output things. So there is not some sort of up front hidden contract that by sharing this much resource you are expecting this much return. That way we know things will last and the momentum will continue. Slow, but certain. And we highly recommend that for yourself, for your creative ventures, you do the same.

———

An Infinite Path podcast official URL http://www.aninfinitepath.com

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Living Myth

While we’re slammed on this feature project, not to mention being at what may very well be the beginning of authentic Hermetic training, here’s a link to someone’s work who’s writing and spoken word content is very similar to our own spoken word essays.

Living Myth.org seeks to bring the enlightening, transforming and healing power of mythic imagination to a world facing global problems that include both radical changes in nature and massive disruptions of culture.

It’s hosted by Michael Meade, who is a scholar of mythology and due to its mind boggling weekly output, it’s surely his main focus. Highly recommended.

https://www.livingmyth.org/

Dying of The Light

There are different approaches to documentary. Oftentimes, it is said that there are 6 primary types - Observational, Expository, Poetic, Participatory, Reflective, and Performative. Regardless of length, each of these type have unique things to offer. The most important aspect of any doc is the subject matter, story, or character(s). What could be said to be a secondary layer of importance is the production value of a piece. Meaning the style, artistry, and quality in which it was done.

A piece can be high in subject matter and lower in production value or style and still be a very enjoyable watch. An example would be this piece regarding the daily operations of one of the largest trash landfills in California. As space is in high demand when it comes to trash in a wasteful culture of disposal. Where thousands of landfill sites are reaching capacity and more new ones are having to be made. Important information for the public zeitgeist to realize which can be almost best translated through the medium of the screen. Yet the way this piece and frankly, most other documentaries are made is not artistic but more journalistic. Almost just like a live broadcast television newscast. That’s the vast majority of documentaries out there regardless of type.

Or a piece can be like this one, showcasing the Ottery St Mary Tar Barrels, an annual event in Devon, UK. A tradition for hundreds of years, the exact origins are unknown, but every year on November 5th, Guy Fawkes Night, locals get together to burn barrels of tar and parade them through the town. Which could be said to have significantly less subject matter but way more style and art. Being a piece of cinema.

Our goal in the personal documentary work is to not only combine both of these two things. Meaning have some level of interesting or compelling subject matter of depth and substance, and/or tell an intriguing story, and/or feature rich characters, while also doing that with high production values, style, and thus make it art. So whenever something is made that checks most if not all these boxes it becomes a , “wish I had made it” piece of moving art. Truly memorable!

Awarded… posthumously

Regardless of your thoughts and suspicions of Covid-19, what it really is and what it’s true origins are, there is something out there that is respiratory. It is exposing many problems with global society, including the separation of resources of more rich countries to more poor countries, in which there is vaccine apartheid of rich countries having many surplus doses, and poor countries not being able to vaccinate their populations due to lack of access and resources. Yet, with this still being the case, in my country the USA, there are many people actively fighting against governments advocating and even mandating that precautions should be taken to not get sick from it. This Reddit Thread is openly mocking people who publicly shit post and ridicule vaccines and mask wearing, who then subsequently get very sick from and/or die from Covid - https://www.reddit.com/r/HermanCainAward/

Herman Cain was an American politician who in June of 2020, right when covid was really kicking off, attended an ignoramus political rally not wearing a mask, and subsequently got Covid and died from it. Hence the title of the “Herman Cain Award.” 

As a medical professional, my wife is 100% pro science and pro vaccine. As vaccines are a product of the pharmaceutical industry, I have very mixed feelings on vaccines and do understand folks hesitations to get vaccinated. Yet not wearing a mask, a tool that’s been used in medical procedures, not to mention viral environments, for over a century, is another story. Essay inbound on my thoughts regarding vaccines and mask wearing in due course.

NETFLIX Lag

So for the last while I've been sucked into a freelance gig working on an upcoming 80 million dollar Netflix movie. It's not my own project or something I'm helming, just a post production dial turning for hire job in which my skill set is demonstrably reduced but it happens from home which is nice. Ever since I left my former industry full time, I have still on occasion done short term freelance work here and there. This is required because oftentimes the projects which we are most passionate about, which would be the ones helped to be made by you fine people and shared in these channels pay the least, and these big industry jobs pay significantly better.

I usually wouldn't even mention any freelance anything I do here, but this one I felt should be shared because it's a bit longer running and is the primary reason why the personal outputs have been slower than usual. Amongst life's other responsibilities, I've been trying to make time to write. Both upcoming film projects as well as continuing essays. But the gears are turning slowly here in Q4 2021 and into the new year.

I have very mixed feelings on the movie studios and streaming platforms such as Netflix. After spending 10 to 15 years working in and out of the traditional movie studios seeing what they did well, but more often than not seeing more what they did not do well, part of me wants them to adapt, as they are being forced to, and part of me could care less if they all went out of business for the way they’ve treated crew. Netflix has obviously become the new mega studio, releasing nearly a feature film per week, and is just rolling in cash because of gazillions of subscribers and backwards US corporate tax policy in which they pay no taxes. Yet it’s rare to see something really good on there isn’t it? It happens on occasion, and when it does that’s great. But it’s rare.

A Teacher's Recommended Books on Alchemy

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Here’s another share of mostly alchemical works. It’s a very paired down list of related texts which one of our teachers, Rubaphilos, has recommended over the years. Recently shared on his forum:

https://drive.google.com/drive/folders/1tN_eHh_6u6xFGQzmfQfJL-UjdNvOgA3X

This upload directory is not mine so get them while supplies last! They can be group select ed at once to download.

*I'm behind on essays and owe you gals/guys at least a couple private ones as soon as I can get to them. In the mean time, sharing this link with all patrons with continuing thanks.

Product Recommendation - Smaller Mechanical Keyboards

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So modern hardware technology is both wonderful and monovalent.

Rarely do we focus on tech in our work, and if we wanted to water down our outputs on spiritual growth and self development into something way more shallow and mass appeal we would be doing camera review videos on YouTube. Which with adds and affiliate links could also make us way more money. But that being said, we also will occasionally share or recommend products which we very much find to be valuable tools for output / creativity.

Probably our main interest in the hardware technology space is of course cameras. If we spent 5 years in a forrest living off the grid or in a jungle with a remote tribe, upon returning to civilization we would immediately go online and digest all the latest info on the hottest new cameras and their specs. Our ultra specialized kink is a camera sub genre of custom anamorphic lens builds. Of which there is a niche following and all our personal filmmaking work is presented in.

However, With all the writing we’ve come to do over the years, we’ve recently had a couple exposures to people singing the praises of “mechanical keyboards”. Which we didn’t know anything about until recently, only really knowing people raved about them. These are new keyboards that have a similar key style to the old school 70’s / 80’s click clack keys.

They are very popular in Asia and range from very cheap to outlandishly expensive. There is also a huge sub genre for these keyboards with gamers, programmers, and for writers as well. I totally didn't get it until just recently, and finally decided to pick one up and can now say we see the light, as they are SO NICE for writing because of the way the keys feel as you type. Being very tactile and responsive.

They are also extremely customizable. With different percentages for how large the keyboard is, (the % represents the amount of keys), and almost everything about them can be custom built. Their bases, materials, lighting, switches, key types, cables, etc…

I highly recommend smaller sized ones like the 40%’s and 60% shown here. Feel free to contact me anytime if interested and you want more details. To dive deeper, there are of course tons of videos about them on YouTube.

Essay: A Street Photographer Appreciates A Street Artist

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Graffiti is writing or drawings made on a wall or other surface, usually without permission and within public view. It dates back to the Roman Empire, older to ancient Greece, and more advanced ancient Egypt. It’s like hunting since it's an act that can land anywhere on the spectrum of honorable to deplorable. With game trophy hunting of endangered species being vandalism while sustenance hunting which honors the animal being natural, graffiti that’s not art is contractive, such as gang signs that make the surface it’s made on worse, while graffiti that’s art can make the surface it’s made on better.

Outside of commercial graffiti, where artists are hired to paint a billboard on the side of a high rise per se, the majority of this action outside of those rare occurrences, involves the graffitist self creating a canvas in public view without permission. So most graffitists through time have chosen to protect their identities through anonymity and/or to avoid prosecution from the state.

Ask anyone on a street about graffiti, especially the artistic type, and they will surely mention one nom de plum - Banksy. A nearly household name who’s a pseudonymous England-based street artist who’s become one of the world's most notorious known for his political art. Anonymity, which has been the superhero trait for many authentic occultists through time, has also worked to Banksy’s personal advantage. For both reasons he planned and didn’t plan for. As he said in the 2010 documentary film focused around him, Exit Through The Gift Shop, “What I do is in sort of a legal grey area”, thus he takes his privacy very seriously. It also of course gives him more of a safety blanket. And allure. While not making his works so much about his ego, but more the art works themselves. At least in theory. With Banksy in the past saying “fame is a grotesque sole destroying vulgarity for the egomaniacal, narcissists who are, of course, staggeringly insecure”. Having no desire for fame is a very soul mature and sophisticated trait. Yet every once in a blue moon, those who feel that way still acquire it. Or perhaps it acquires them.

To highlight how incredibly talented Banksy is, The film Exit Through The Gift Shop started out being made in the early 2000’s by a Los Angeles-based French shopkeeper Thierry Guetta, whose obsession with street art leads him to attempt to make a documentary about the subject. Notice how I said attempt because the halls of the akashic records are full of struggling filmmakers who want to or try to make a documentary and never finish one. This is because Guetta is what we call a shooter. Which is just a dude with a camera who shoots stuff, without really any editing skill and even less narrative writing skill. He actually connected up with Banksy and gets exclusive access to film him, but turns out to be such a crap filmmaker that Banksy actually ends up taking over the project and steering the creative with the many thousands of hours and years of footage Guetta had shot. The film, after being assembled into something with a narrative story by Banksy, shows how Thierry Guetta has become Mr. Brainwash, now one of the most provocative and famous figures in the contemporary world of street art, and also contains exclusive interviews and footage of Banksy, Invader, Shepard Fairey, and many other graffiti artists. So for never having taken on this moving medium, and perhaps being the one and only time he does so in feature length. He did a quite good job putting it together into an enjoyable to watch doc. Which is not an easy task.

Banksy’s primary focus, street art, has typically contained common motifs of monkeys, apes, rats, children, elderly, police, and soldiers with recurrent critiques of societal operating problems such as hypocrisy, despair, absurdity, poverty, greed, alienation, and off balance profiteering - of which there’s certainly no shortage of in the world. His work could be said to be anti-establishment, anti-war, anti-authoritarian, anti-fascist, and even critical of capitalism while also being somewhat anarchistic and nihilistic. All with twists of humor and relevance. Because he is not only a brilliant graffitist, multi medium artist, activist, not to mention adding filmmaker to that resume - Unlike many lukewarm artists, Banksy’s work stands out from the hoards because it actually has real things to say and we very much personally resonate with him and his creative outputs.

Since our personal main form of documentary still image work is street photography, we’ll highlight here that the vast majority of those who have ever seen a piece of Banksy art have done it through the photographs taken of it, rather than the physical work itself. Banksy’s stencil spray work, an artform which allows one who prefers to sneak around in the shadows, and usually under cover of night, to get in and out very quickly, has a quite distinct (individualized, hint, hint) visual style. So much to the point where you know it when you see it. But the only real way to absolutely confirm a work is genuinely his, is when Banksy shares a street photo or video on the internet. As confirmation a work is his, you if you will. Some of the most compelling street shots have a focal point of someone or something interacting or in a scene, (in situ), with a sign, or storefront, or work of art. We’ve personally taken photos inside art galleries that entail a painting and people’s reaction to the painting, or in frame in front of the painting, which then became a meta expression of the artwork, being another artwork created with an artwork contained within. Some of the most amazing street art becomes even more amplified when photographed and that photograph has someone or something accentuating or interacting with the artwork. For example, a Banksy painting on a wall of rats in a beach chair was intentionally done on a concrete wall against a sandy beach. So the floor of sand was intended to be part of the artwork. Or a small memorial of the World Trade Center is placed right at a location with a crack in the wall running vertically down one of the towers so that a flower can be placed inside of it. Banksy does oftentimes include a secondary focus to a piece which may be a life sized person who is then looking at the focal point of the art. But oftentimes these real life 3D additions make what would otherwise be a 2D piece of art into more of a full volume, which when then captured photographically, becomes the largest expression of what the piece of art could hope to be. So the art becomes as much about the photography of it than the piece itself.

It’s known that Banksy is for sure a male, originally from Bristol, England, and there are debates about his real identity. At the time of this writing, there’s actually significant proof of his birth corporate fiction name but we'll touch on that another time. There’s also proof that he may operate as himself with another person or multiple other people. Radiating out from Bristol, down to London, his work has been thrown up across parts of Europe, the United States, and more specifically in locations such as Chiapas Mexico - an area known fort the indigenous Zapatista Army of National Liberation, and also in Palestine, hitting the Palistinean side of the aprprtide states of Israel's controversial and ironically enough, holocaust style West Bank barrier.

Banksy's art is a prime example of the classic controversy of vandalism vs. art. Or another way to frame it is brandalism vs vandalism - brandalism being the sanctioning of corporate culture plastering their message and sigeles (another form of vandalism) everywhere in public space. No different than graffiti, only sanctioned because they’ve paid for it. The book Seven Years With Banksy says “By prescient I mean that what you see on a wall boldly painted by someone often projects into the future; it’s powerful and effective – and the status quo doesn’t like it. They never have and they never will, because they can’t control it. But if you can pay through the nose for a billboard, you can say virtually anything you like. And as citizens we all have to swallow the messages of envy and greed from our ‘friendly’ corporations because they have created laws saying that kind of indoctrination is OK. It’s been paid for. And every graffiti artist, understands that. Adverts are as far from the truth as it is possible to get. They represent the utopia that you must pay for as you slope through your trashy end of town without a penny to scratch your arse with. But to go out there in the dead of night when even the dogs are asleep and to put up on a wall a picture of the way you, as a free citizen, see this whole setup is to have the courage of your convictions so the general public can witness how you see it, for free. And we all know graffiti can be exquisitely poignant and beautiful, more than any advertiser can co-opt or come up with. As long as there are advertising billboards there will be graffiti and there is no contest as to which is the more creative and true.”

Supporters of public art very much endorse Banksy’s work distributed in urban areas as pieces of art over vandalism and some government councils, such as Bristol, have officially protected them, while officials of other areas have deemed his work to be solely vandalism so it’s been removed by the state or by other taggers. This is very common behavior for graffitists, who constantly paint over one another's works. Jocking for the top stop position of being seen and not covered up.

For we must also never forget, the matrix is a cultural overlay on top of nature, which only allows and encourages lukewarm creativity to a certain point. And anything beyond that is strictly prohibited for being too truthful. For truly free expression and speech are the cornerstones of any real authentic democracy. Not pho, somewhat pretending to be democracies that are really, corporatocracy, plutocracies, or kleptocracies. So forms of real journalism and art are always swimming upstream from these systems. And one who works inside this system only can become an exception when they become so well known - Even though they may still highlight the subversive inversion to the powers of the corportized state. Now that Banksy’s works are considered so valuable, he’s almost become somewhat protected by that system. For Capitalism even finds a place for its enemies when they make it money. And the larger and more well known Banksy’s art gets, the more he trolls the art world, the more both are exploited. For now everything he touches somewhat becomes gold monetarily. With literally entire sections of walls he tags removed soon after they go up. Knowing this, he often keeps his work to more publicly owned buildings or walls and only hits easily removable surfaces if he intentionally intends to use a work of his as a donation to the place. Such as leaving a stencil on an exterior door of a youth club that’s struggling financially so they gain the revenue from selling the work. Or donating an artwork honoring health care workers who’ve been redlind during the covid pandemic.

But as a whole, he hates the commodification and commercialization of art - Often trolling it. Being quoted as saying “The art world (meaning combining art with money) is the biggest joke,” “It’s a rest home of the over privileged, the pretentious, and the weak. Knowing it doesn’t care as much about the aesthetics let alone the messages of what the art is saying, which was proved in the case of an occurrence of Banksy having an old timer set up a fold up table in New York city for one day of his artwork. Which is perceived as fake with canvases selling for only $60 when they’re worth in excess of $200,000, very few people bought them on the day. For the business art world cares exclusively about an artist’s work’s perceived high value and the standing of the artist themselves. Not the quality of the work. This was something we once personally experienced when showing our street photography to a Leica gallery manager. They wanted to know all about us and our status and standing in the photographer world, rather than the quality of the photography itself. Banksy himself has said Graffiti art has a hard enough time as it is, without hedge fund managers wanting to hang it on their walls.

Another example of this sliminess was a blockchain company, (and there a lot of good things about blockchain) bought a $95,000 Banksy artwork, burned it and broadcast it live on the anti socials — all part of a process of turning the work into a virtual asset called a non-fungible token, or NFT - of which there are some good things, and some bad things as well. The company behind the stunt acquired the print in a New York gallery, then destroyed it. Moments later, they uploaded the digital representation of the art using blockchain technology on a NFT selling site. Hopefully they didn't really destroy it but instead a copy and it was just a marketing stunt for the NFT. But, whether real or staged, their mindset was that they were transferring the physical value of art by removing the physical piece from existence. So they bought the physical art piece just to destroy it. The problem here is they obviously don’t give a shit about the artwork itself, they set fire to it.

Prior to this, Banksy did probably the most known “high class negging” stunt against the art selling world in the now famous occurrence of his “Girl with Balloon” painting which was designed to self district after being remote triggered the moment after being sold at auction for $1.4 million dollars. With a built in shredder inside the frame being activated, with initial tests of the self shredding frame having ripped up the work successfully in trial runs, but on the actual day, only functioning to about half way, leaving the piece mostly intact. Sure it’s a bit questionable to not think that Sotheby’s, the world's largest art broker who caters to the ultra rich, couldn’t have somehow been aware of the stunt prior to it occurring. Not taking the time to do a thorough inspection on the very unusually thick frame the artwork was in. But, who knows.

Anything truly novel art will be a bid disconcerting and unsettling to the more conservative minded. It will rise up and break through multiple glass ceilings and the more it punches through, the more it will be discouraged. Yet, real leading edge creativity will be fiercely individualistic, challenge the status quo, not to mention be paradigm destroying. For every institution Banksy criticizes for suffering from extreme pretentious un-creative disease loves his artwork even more - because it’s valuable to them monetarily. Which is the only language they know. And after the occurrence used it to their commercial advantage. The stunt gained not only massive attraction online but then also followed up by a press release from them, stating that Banksy was actually the first artist to create a final work of art live at auction. Not to mention the fact that the stunt made the painting more famous and thus valuable.

Banksy's take on the semi successful stunt was that the urge to destroy is also creative. Which is also a Picasso quote. This has been seen many times with performance art or public stunt art, much of which also happens on the street and harkens back to the monks destroying their sand mandalas to highlight the ephemeral nature of life and reincarnations.

After another work from Banksy, the ‘Devolved Parliament’ painting, was sold, Banksy posted a quote from art critic Robert Hughes: “Art should make us feel more clearly and more intelligently. It should give us coherent sensations that we otherwise would not have had. But the price of a work of art is now part of its function, its new job is to sit on the wall and get more expensive. “Instead of being the common property of humankind the way many books are, art becomes the particular property of somebody who can afford it. Suppose that every worthwhile book in the world cost $1 million – imagine what a catastrophic effect on culture that would have.”

We admire Banksy so much. Not just for his messaging, but consistency with his values over the years. Making folks think. Engaging them in discussion. Speaking through his art. High art, or art movements, with purpose and thus impact, are often started and created on the street - where everyone, not just those who can buy it, have access. No matter how known Banksy is, his work will have major elements that continue right where they started, perhaps on your soggy neighborhood street corner. He’s not full of fake subversion and rebellion, and although he does a stunt or two, his main medium shows no sign of degrading. Since popularity does not equate to value, it's encouraging to see over the years, and he has been active for many years now, it’s encouraging to see that although money and some ego of his name, sure now do apply, his free expression and continued creativity are leading edge. Culture jamming is a protest used by many anti-consumerist social movements to disrupt or subvert media culture and its mainstream cultural institutions, especially including advertising. It constantly works towards "exposing the methods of domination" of mass society. And Banksy has long shown that he is a master of it.

———

An Infinite Path podcast official URL http://www.aninfinitepath.com

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Documentary Recommendation - Ext Through The Gift Shop

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For the last couple weeks, amongst other life obligations which are keeping us busy, we’ve been working on an essay entitled “A Street Photographer Appreciates a Street Artist” which focuses on Banksy.

As you very well may know, writing takes a long time. So, until that’s done, if you have not ever seen the 2010 film “Exit Through the Gift Shop,” we strongly recommend that you do so at your earliest opportunity! Why? It’s a documentary about the notorious graffiti artist which he actually ended up directing.

It started out being made in the early 2000’s by a Los Angeles-based french shopkeeper Thierry Guetta, whose obsession with street art leads him to attempt to make a documentary about the subject. Notice how I said attempt because the halls of the akashic records are full of struggling filmmakers who want to or try to make a documentary and never finish one. This is because Guetta is what I call a shooter. Which is just a dude with a camera who shoots stuff, without really any editing skill and even less narrative writing skill. He actually connected up with Banksy and gets exclusive access to film him, but turns out to be such a crap filmmaker that Banksy actually ends up taking over the project and steering the creative with the many thousands of hours and years of footage Guetta had shot. The film, after being assembled into something with a story by Banksy, shows how Thierry Guetta has become Mr. Brainwash, now one of the most provocative and famous figures in the contemporary world of street art, and also contains exclusive interviews and footage of Banksy, Invader, Shepard Fairey, and many other graffiti artists.

http://www.imdb.com/title/tt1587707/

R.A.M.S. Digital Library

R.A.M.S. is the Restoration of Alchemical Manuscripts Society - http://www.ramsdigital.com/

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They seem to be a decentralized group with no ‘organization’ per se, instead just individuals desirous of performing a labor of love of working at the goal of seeking out and obtaining copies of very limited editions of ancient Alchemical manuscripts, tracts, printed works and other such materials and literature and collecting them into one digital library.

It is, to our knowledge, the most comprehensive collection of alchemical texts. Including super substantial alchemical works such as the “Last Will and Testament” of Basil Valentine, Important selections from the invaluable Bacstrom Manuscripts such as “Golden Chain of Homer”. “Lamspring’ a Process for the Lapis Sophorum”, “The Chemist’s Key”. “The Mineral Gluten of Nitre and Sulfur”, “Coelum Philosophorum” and many other important alchemical texts which survived the fires of Empire.

While it’s a lifetime of work to go through, read, re-read, and really inject, it’s a great resource for at very least eye brow raising, if not serious study. Original high-resolution scans are included page-by-page in optimized digital formats. Where one can easily search for keywords and phrases which is very difficult and time consuming with printed versions.

Since R.A.M.S. have been spending many years, if not decades, collecting these works, they do charge a fee to download the collection for their operating costs. While we do encourage you, if very interested, to perhaps pay for the collection and support them, we personally are working a freelance day job currently which, in addition to our writing, is keeping us quite busy so essays will be coming a bit slower for the rest of the year. Thus, in order to continually provide you wonderful folks who support our independent works compensation with value added on a somewhat monthly bases, here is a link to download the collection as well as a new update of the collection. Do grab it asap because this download link isn’t mind and was shared with us by someone else so we're not sure how long it will be around for.

http://mega.nz/folder/CNJRDAyZ#w2g0Zr4dREahDw8MHwtCYg

*One of our teachers, Rubaphilos Salfluere also has his own alchemical reading list which is smaller and more streamlined than R.A.M.S. To my knowledge he’s never collected all the books in digital format himself so one of my many projects currently has been us personally collecting his recommended books on the subject. Which is probably even better of a list and we will also be sharing that with our patrons here in due course.

The Books of A.E. Waite

A. E. Waite was an American-born British poet and scholar who wrote extensively on occult and esoteric matters, and was the co-creator of the Rider–Waite tarot deck.

He came to know through is life, which was from 1857 to 1942, that the majority of religion was just used for politics and then got far enough to discover that authentic spirituality happened through a secret tradition which had been passed down verbally from one keeper of secrets to another. Being dispersed among various esoteric and occult traditions, texts, and practices. Providing a higher level of self development, knowledge, understanding, and dare we say the slight pop occult or even woo word “enlightenment.”

After discovering both Gnosticism and Hermeticism, he joined a quite ridiculous amount of mystery tradition and secret societies. Probably more than anyone else before or since: on the 4th of March, 1903, he wrote in his diary: “If my receptions go on at this rate, I look shortly to be the most initiated man in Europe.” In 1902 alone he joined at least nine different secret societies: the Holy Royal Arch, the Knights Templar, the Knights of Malta, the Swedenborgian Rite, the Mark Degree, the Red Cross of Constantine, the Secret Monitor, the Ancient and Accepted Rite, and the Early Grand Scottish Rite which was probably quantity over quality.

He became a known fixture in especially The Hermetic Order of the Golden Dawn and a prolific writer. So much to the point that it’s hard to do any serious esoteric study of texts without coming across one of his works. Here they are in their entirety.

https://archive.org/details/A.EWaiteTheSecretTraditionInFreemasonry_20170511_0211/A.%20E%20Waite%20-%20The%20Real%20History%20of%20the%20Rosicrucians

Essay: The Spoken Word

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If you consume media not just to be entertained but more to better yourself that's wonderful and you deserve a cookie. If you read books MORE than you watch screens, that’s super amazing and you deserve a big fat brownie with gold flakes on top. Either that or full of pot. And / or our respect. Or all of the above.

We’ve previously touched on the unfortunate truism that few read anything anymore. A night show in 2020 (during global Covid lockdowns when people were more home based than otherwise usually would be anyway) interviewed people cold on the street asking the question “what was the last book you read?” and it was followed by almost exclusively un-articulate answers, with a few clear and concise responses being those that quickly admitted to reading nothing.

One of our colleagues who’s created a variety of output has written several books, only one of which got to successful publishing, and has been by far, their least selling product. Even though it appears on the surface that there are many New York Times bestselling authors out there, the reality is that it’s rare for a book to sell more than 300 copies in its entire lifetime. That’s why the selections at almost all bookstores, larger chains or even smaller locales are very narrow and the publishing industry has as many stinking backwaters as any other.

One of our societal problems is a lack of philosophers. To actually become a lover of, and embodier of, and communicator of wisdom (Trivium) we must read extensively, over our whole lifetime. This lack of reading is mainly in regards to traditional books, but a wonderful now seachange that technology does deserve credit for is the spoken word - as podcasts for example are now more ubiquitous and prevalent than live broadcast television. Hallelujah!

Outside of personal experience, and internal communication, the spoken word from one inquiring mind to another, has been how knowledge is transmitted. Through time this was done around campfires, mystery schools, other philosophical institutions of higher learning, and books. Modern versions of those things still do exist, but there’s also this modern advent of archives now existing through podcasts and audiobooks. So the spoken word, which has always been of predominant importance through time, only continues to amplify with technological advancement.

The sense of listening has such a primary importance because listening is how humans input information most of the time while also having the ability to do something else. Because life is short and the internet has allowed for a deluge of great content in the form of audiobooks, lectures, podcasts, as well as other spoken word yummy audible knowledge, there is more than you can ever listen to in a lifetime and there are only so many hours in the day with that short life. Yet just like with all mediums, any form of spoken word can deliver quality or hot garbage. Radio, which has now been around for the better part of a century, is a perfect example. But if you’re constantly listening to yummy, informative, and expansive spoken word content, whatever the medium, you deserve an affogato.

Podcasts typically are interviews. Or sometimes individual, off the cuff, or else written content delivered to an audience similar to traditional lectures, sermons, stand up comedy routines, or speeches. But non fiction books, for thousands of years, have been a deeper, longer form medium for the voice to be transmitted. So we would actually place books as having the capability of being superior in depth to almost any other medium. Some of the world’s most bold and profound content comes from pros which require multiple reads over numerous years. That takes a significant amount of time and life, to some extent, is short. And since we have this reading barrier problem which causes a large drop in audience, there remains a problem that many books, especially more rare ones, don’t have audiobook equivalents.

If you’re a bibliophile or any form of book lover, you’ve probably come to realize that in the 21st century most digital versions of these books can be found or converted to audiobooks. This was all discussed in one of our previous essays entitled “reading through your ears” but there’s also now technology to easily turn any text that is copy/pastable into a now not horribly robotic but actually listenable synthetic voice audiobook. We personally share books we’ve found valuable, who’s authors have passed on, with patrons of our work and that entails sharing the PDf version (not under copyright - to honor creators income streams) as well as audiobook versions which if not already available, we will make our own audiobook versions of and share those audio files as well.

Touch is some folk’s prefered sense and some are able to just straight up soak up information more via conventional reading. So there will also continue to be purests for not only traditional reading but also via physical paper. In the interest of resource depletion, cell phones and e-readers certainly do require mineral extraction but less cutting down of trees. As digital devices have proven they are the forefront for the majority, analoge copies will always have their place - not to mention in case of electromagnetic pulse attack or grid collapse, but are now secondary to reading off any sort of screen. All though that is a joke, here's a legitimate criticism of traditional analogue reading which is not. It’s a bit like running because it’s very healthy but over long periods of time, can cause physical strain. Audiobooks have a great advantage over traditional books in the sense that you can be listening to an audiobook while doing other things. Going to the gym, gardening, driving etc… So they allow for multitasking and thus increased productivity.

Another unique advantage of listening to any spoken word source is it also allows for soaking up the audio at faster speed. Seeking out media playing tools that allow you to change the speed of a source in increments. As you try this, you get more productive at it and can get through many more sources in the day. It really depends on the density of the material and how quickly the speaker is delivering the information, but we can listen easily to 5/10 podcast episodes in one day for example because we’ve worked up the skill set to ear canal input most sources at double speed if not 2.5x speed or rarely but occasionally even 3x speed.

Anyone truly serious about their spiritual development will know study is a key component of that. Which, outside of direct communication, arrives through the eye or the ears, or if you're blind, through the fingers, from braille books. So having the tool of speed adjustment can be beneficial for having to do multiple passes over a pros over the years.

If we ever go back and listen to ourselves in one of these essays, for example, we never do it at regular speed. It's a bit painful to listen at normal speed actually. So we praise any service, such as a video or spoken word app, which allows for speed changes as a valuable life-saving tool. Or at very least a three-hour podcast now turning into an hour and a half long podcast instantly. Every minute you save, is another minute you can have to yourself. Or another minute for study. So narrowing the spectrum of the inner juju juicy material you input, combined with a faster delivery of it to save time and increase efficiency has the potential to send you much further along the way to being philosophically astute.

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An Infinite Path podcast official URL http://www.aninfinitepath.com

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